The Trashman – launches 23 August 2026
In a throwaway world, The Trashman is king.
A global, cinematic Hollywood thriller with a twist of sharp political satire.
When ambitious young fashion designer Zoe arrives at a celebrity Malibu mansion to present her work, she finds her clients’ bodies instead—curated with the artistry, the cold precision of a “Collection”. In the chaos that follows, she meets Jez, a podcaster chasing his viral breakthrough. Attraction sparks among the horror.
Haut-Couture Macabre…
As the Trashman goes global, each new Collection—Paris, Como, Milan—becomes more lethally elegant than the last. More high-profile victims. More taunts, more cryptic clues.
And Zoe keeps appearing near the scenes. Is she muse, victim, or accomplice?
With ICE raids inflaming a polarised America, and investigators from LA and Europol closing in across two continents, Jez faces an impossible choice: expose the woman he loves and secure his fame, or protect her and risk everything.
Zoe’s own reckoning is no less brutal—can she build a career on looking away?
Luxury noir with a body count…
This visceral, darkly satirical psychological thriller follows a digital trail from the hills of Bel Air and the Parisian clubs to the lakeside glamour of Como, the runways of Milan, the crime-tech intelligence hub of The Hague. It’s for readers who loved the world of The White Lotus, the sun-drenched menace of Ripley, and the poisoned glamour of House of Gucci.
A story about love, lust and success, and finding your true self in a society at war with itself, where everything, and everyone—right to the very top—seems disposable.
In a throwaway world, how disposable are you?
Honour / Honor
What does honour mean when everything around you is for sale?
Azeem is a pacifist, an ex-comrade, and a man trying to put his past behind him. But when his former brothers in faith launch a campaign of murderous havoc across Leeds and London, he has no choice but to get back in the game—before the violence reaches Shirin, the razor-sharp Anglo-Persian woman who refuses to be rescued, whom he loves but hasn’t yet deserved.
The trail leads through the louche back rooms of European adland—where Wythenshawe, an old-school image merchant, and the sinister Dr Klinker are doing very well out of other people’s identities—through the grey skies of Düsseldorf and the drawing rooms of Scotland, to a sun-drenched showdown on the Turkish sea.
Fast, funny and never flippant, Honour is a love story disguised as a thriller, a satire on consumer capitalism wearing the clothes of a crime novel — and a meditation on what a man must become before he’s worthy of the woman he suspects sees through him.
Darkly humorous. Sharply observed. Uncomfortably close to tomorrow’s headlines.