Last Month in Cannes

Carlton Hotel, Cannes, June 2026, with sunlight bouncing off the famous, cake-like facade and yellow awnings, with dark clouds and palms above and to the side

Last month I was in Cannes, there was a conference about Shaping the Digital Infrastructure of the Future (which I wasn’t there for), and here’s the poem that came out of it:

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Last month in Cannes, rain

storms passed us as parties raged

along the Corniche

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Where badged delegates

sauntered holding forth to all

who’d hear their wisdom

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A fiery sunset

lit the sky’s darkening cloudscape

trumpeting the rippling sea

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Swifts gathered screaming

for crepuscular feeding

preening and bonding

and mating, breeding fledglings

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who still don’t know about flight

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Just like us, maybe

as we wander through alleys

and for a quiet moment

*

soak in the stillness

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Remembering that

death can come at any time

for any of us

badgering us with its truth

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as we breathe the air of Cannes

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Always beautiful

in spite of shit that’s done here

for power and cash

*

Next month in Cannes, heat

waves interspersed with tempests

roil along the coast

*

To other cities

every bit as beautiful

but not quite as rich

*

The elderly die

in droves, and fires ravage

to swallow up the forests in their smoke

and riots unchained

rip sweltering streets

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Those mundane horrors

that the mondaine glamour masks

just like us, perhaps

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Next year in Cannes, there

will be digital breakthroughs

we can’t imagine.

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Freddie Omm

June 2026

Sunset over Cannes, Provence, in June 2026

Photos by Freddie Oomkens

About freddie

writer, migrant, work in progress

Comments

  1. Philippe says

    I love Cannes and always will. My grandfather was there for the Simone Silva incident, back in the 50s—there were lethal paparazzi scuffles for topless pics of her with the burly actor Robert Mitchum. She succeeded in making herself scandalous, famous, but things turned bad for her, poor thing. I think she was the first to make Cannes the locale for that kind of stunt, there were lots more to come.
    Your poem taps into a more modern aspect, an admirable snapshot of the late-capitalist hub it is today (in part).

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